Here's a selection of some of the press cogverage we have received over the past year or so. Ebop,sadly no more, gave us an interview, which is cached here. Zeitgeist liked us - you can find a review here.

"Composed 'over the Net and via email, though you'd never guess it from the superlative production standards evident on this undulating breakbeat marathon. "Loose Threads"- one minute progressive hypnodelic funk, the next ska-inflected chug house- is so deep that even Hercule Poirot would struggle to get to the bottom of it." 4/5 Mixmag - March 2000

"A cross between the Get Carter theme tune, Portishead and the original Sneaker Pimps, and yet in a chilled out, spaced-out, psychedelic class of its own. Mu-Kau compose their music via the net and email, and may be the world's coolest virtual band yet." -What's On, London- March 2000

"Curious little record, this. Pulling in a whole range of influences, this three-piece band fuse old-style reggae skank with '60s-tinged pop, based around the breathy vocals of Clare Finglass. Not the most easy record to categorise in the racks, but don't let it fall into the gaps between genres." RHJ-Jockey Slut- April 2000

"Edging on the jazz funk end of things, "Loose Threads" is a very pleasurable piece of music to listen to. Cool rhodes piano sounds drift in and out of big echoes, with a sweet trippy vocal over the top. Not dacefloor mash-up material, but definitely one for early evening warm ups." 8/10. SS. Wax - March 2000
"One of an illustrious set of breakbeat tunes to sample Northern soul classics, "Loose Threads" uses big chunks of a Tommy Neal stormer, combined with funky beats and a lovely vocal from Clare Finglass, makes for a bit of a beat treat for the floor" 4/5 Dancing men. John Stapleton- 7 Magazine
"Here's a bit of technological innovation for you. Three people living in Birmingham, Bristol and Dublin who never meet up" (cough!) "but still make music together. How do they do it? The internet of course. The results are surprisingly consistent, coming together as spritely 70's spy funk with floating vocals. There's all manner of weird and wonderful keyboard noises thrown into the mix, plus some well layered beats and a smooth arrangement. A bit different and worth a listen." 3/5. DJ - 29 Jan-11 Feb 2000